Mabel Martin

Mabel Martin is played by Mabel Martin. She is one of the two main protagonists of Mabel. Please be warned that this page discusses heavy themes of abuse.

Season One
Mabel does not appear in a large part of season one, but we do learn several details about her life. Her father's name was Thomas, and her mother's name was Lily; Thomas never got to meet Mabel and Lily died when she was four, leaving her to be raised by her maternal grandparents. Sally Martin, her grandmother, abused her throughout her entire life; Mabel's only allies in her youth were the Good Neighbors who she was able to communicate with and the House, which cared about her more than anything else. Mabel grew up "half feral and half faeral," showing a connection to Fairy Hill from a very young age. Luna Thorne lived in her mirror, and while they were close when Mabel was a child, Luna and Mabel began to fight after an incident in the garden of the Martin home, when Mabel was bitten by a fox. She doesn't remember a large portion of her childhood.

She was sent off to El Segundo Academy around the age of twelve and placed in the care of one Aurora Silver. She was subsequently abused heavily once again-- though the details are not revealed within the show's canon, the audience does learn Mabel was put through a series of experiments, including being fed poison and presumably being harmed with iron, to which she is incredibly allergic. The tapes these experiments are recorded on refer to her as Subject 7825. At some unknown point, Mabel is captured and held captive in the Underhill.

Anna Limón begins to call Mabel around November of 2016, and eventually drags herself into the Underhill to get Mabel back. Mabel herself is heard from for the first time in episode seven, where she continuously attempts to call Anna back.

Season Two
Anna eventually goes into the Underhill and pulls Mabel out, but this leaves Mabel trapped in the walls of the House, only able to properly communicate by making the lights buzz. Anna then decides to drink a poison, swapping herself and Mabel, with Anna now stuck in the Underhill.

Mabel is unused to the human world as a whole, and struggles with being back. She's furious at Anna for both switching their places without permission and for leaving her alone in the house that had trapped her for so long; she alternates between screaming at Anna to leave her alone and being terrified. She says that she isn't a person anymore and makes several points that look towards her being some form of changeling, though the creators of the podcast have confirmed that Mabel is many things and cannot be defined simply by one term.

In the last episode of season two, Anna solves a series of riddles and manages to find her way back to Mabel, leaving Mabel in the house and herself in the Underhill again. This happens several times and the author of this wiki is done trying to understand exactly what's going on, because these girls are anything but straightfoward and the author is very tired.

Season Three
Mabel screams at Anna for trying to be the sacrificial lamb and/or a self-loathing martyr. She begins to refer to the other woman as Saint Anna and fights with one of Anna's friends when they call, worried about her. She breaks every mirror in the Martin home and speaks about the Court making Anna sing for them, and then continuously asks Anna what she wants before saying "cosign me not to hell, for in hell I cannot love thee." This is one of the first indicators from Mabel herself of their soulmate-hood, though according to the creators, they figured out Anna and Mabel would end up together around the end of season one.

Mabel tells Anna about Sally and Luna's love story (the author would like to hereby specify that they hate Sally Martin very much, but could not come up with a better term for what Luna and Sally had) and says that she has no pity within her for either of them. Mabel then attempts to visit the cemetery Sally is buried in, before realizing that she had never actually left the House at all-- it has trapped her once again. She also mentions that she wears a flower bracelet, presumably given to her by the Court (who she refers to as her siblings). Mabel attempts to call Anna's friend (a Miss Reyes) again, trying to explain to her that the Anna currently in the 'real world' is not her true self, as she has been replaced by a changeling. Mabel then proceeds to light part of the House on fire in order to escape.

She gets to the garden and gives the House a piece of her arm in order to keep herself bound to it, then finds a piece of her own hair in the garden-- and with it, Anna's double (who will later name herself Veratrine, and will henceforth be referred to as such, because she is she herself thank you very much and the author does not like calling her Anna's Double). Veratrine chases Mabel around and attempts to get her to fall in love with her, thus abandoning Anna to the Underhill. It does not work, and Mabel eventually climbs a tree before dropping a match onto her. In the ensuing corrupted version of hide-and-seek, Mabel manages to kill Veratrine.

Anna returns after Mabel gives a piece of her arm to the House and Mabel almost kills her, thinking it's Veratrine attempting to trick her again. However, the two girls work it out and manage to finally kiss (only took twenty-four episodes, girls). Then they fight about one of them having to leave; Anna calls Mabel a brat and Mabel has her make a deal. They hear the King's voice and Anna orders the House to let them both out, revealing that Anna is now the god of the place. Anna calls Mabel endless; then they go get the piece of arm Mabel had torn off in order to get Anna back up to the House. Anna's skin on her hand burns off and Mabel is half on fire at all times.

Then they decide to murder the king.